Feeling limp?

 

I have a growing excitement with the rise of the amateur artists. With the introduction of Photoshop, Mac tech, hi-end cameras, blogs, and other resources, young artists are resourced more than ever. With that said, I also have a growing concern with the dependence on these tools- actually less like tools and more like crutches. More and more, I see 1st rate equipment with 2nd rate artists. Not because of their hearts or intentions but because of the tendency to take short cuts rather than developing real skill or discipline. Now that so much can be done in post production, a shift is occurring from quality to quantity. When photography was just film, you had to compose a scene, wait for the right lighting, use the right exposure, and the right shutter speed. Now, you point and click about a 1000 pics hoping one is good enough to Photoshop to death. I think that’s why I appreciate art in its raw forms like painting, dance, live vocals, etc… no cheating raw art because there are no crutches. I’m excited that such tools are no longer reserved for the wealthy elite, but I feel there is too much focus on the tools and not enough on the craft. Artists are starting to walk with a limp.

It actually surprises me when I see someone with expensive, fancy brushes and a nice studio create amazing paintings. It doesn’t surprise me when I see someone with old, cheap, and inferior tools create a masterpiece on a napkin. The former creates within the limit of their crutch. The latter creates despite their tools.

I applaud anyone who wants to begin their art or improve their expression. But before you buy/download/install ANYTHING, first learn composition, storytelling, chorography, pitch, color, balance, and the other building blocks for developing your craft. The less you rely on crutches and more on raw skills, the more creative your expression will be. It’s never too late to learn the basics.

The irony is that if you learn how to walk with a crutch, you’ll end up running with a limp.
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Published 21 March 2009 12:26 PM by Tony Kim

Comments

# Dennis Salvatier said on 21 March, 2009 01:23 PM
Man, that's right on. It's the reason I started the Lead Rocket Chronicles. It's a simple exercise in graphite, ink, marker and occasionally my watercolors. I've seen examples of this many times recently and it does concern me. Art is the one topic that everyone has an opinion about and feel that they can weigh in on despite the fact that they've never picked up a piece of chalk or a brush. What they don't understand is the process of how someone completes any given piece. I always get "Well, that should only take you an hour, right?" It can be very insulting. They see art as easy because we have so much technology at our disposal these days. Well, if it was so easy why aren't they doing it? The difference between a true artist (despite his or her level of expertise) is that often they start with sketches or mock-ups. They process the idea before starting the idea. The basics are the cornerstone to any artistic endeavor. and as artists, we must always go back to drink from that well. There's this story I tell to some potential clients I run into who think my creative services are "mighty steep". The story goes...One afternoon Pablo Picasso was sitting at a cafe in NYC. A woman recognizes him and asks him for a sketch...she mentions what an honor it would be. Picasso agrees and takes a napkin and draws upon it. He signs it and hands it to the woman who is elated. She says, "Thank you so much, Mr. Picasso". Picasso says, "That will be $10,000". The woman is shocked and says, "But that took you a minute!". He answers, "No, it took me 60 years".
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# Jeff Jordan said on 21 March, 2009 04:03 PM
Amen to that. That's why I learned to write with a quill pen and ink bottle. On a side note, I do make art on napkins but it usually consist of a Jackson Pollock like series of mustard and ketchup stains.
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# MIchael Lew said on 22 March, 2009 10:26 AM
Hey Bro, Napkin Art is the best, JJ took the words out of my month in someway. Being able to create art with different mediums without technology, gives a natural and spontaneous look to it. Seeing the flaws and human touch gives art more life. It reminds me of our life as Children of Christ and how He is our artist. We all have Flaws, but it is how the Artist wants to interpret it when it is finished.
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# Tony Kim said on 22 March, 2009 11:24 AM

Yes Michael! There is nothing that replaces working in raw materials. It's risky and brings a sense of accountability. There is no 'ctrl z' or Undo. I just don't want this generaion of artist to miss that. Thanks Mike!

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# Brady said on 23 March, 2009 01:26 AM
Nice article. I agree and have been forced into asking much of these same questions as the various technology have enabled guys like myself to start out of the blocks one lap ahead of where we really should be.
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# Will said on 23 March, 2009 11:02 AM
You know this is true by looking around on craigslist... There is so much great gear for sale from people who are like, "tried to start a video business last month and it didn't work out so im selling all my gear" or "like new canon SLR super camera, had for six months but only took out of the box 3 times"... So many people think the device will bring them creativity and inspiration...
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# Tony Kim said on 23 March, 2009 11:25 AM

Will, you are right. How often do you see a very nice, very cool guitar collecting dust in the coner of a house? Or a isle/canvas or a a pile of camera equipment? A Mac Book ends up being a glorified Facebook machine. The toys us so excited but they rarely take us to the next level.

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# Stephen B. said on 25 March, 2009 07:06 PM
George Lucas had almost every filmmaking device known to man available to him and came up with such gems as The Phantom Menace and Indiana Jones and the Kingdom of the Crystal Skull. I'd rather watch a well-written indie flick made by filmmakers and actors who know their craft.
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# Tony Kim said on 25 March, 2009 08:03 PM

Ha, ha, amen to that Stephen!

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